Ut pictura poesis
It all started at Guilford College, this fascination with literature and the visual arts, with a wonderful professor named Lee Johnson. It continued into graduate school, with a fabulous art history professor named Paul Barolsky who taught me about art through poems written about the art. Well, to be true, it actually started much earlier with Horace: Ut pictura poesis, but let’s not get picky. And so, a poem about a painting with an opening that I love: "audible trout, notional midges." I’d like to have two more children and name them Audible Trout and Notional Midges. Nice ring to it:
–Pykene na Brukken, Munch, 1900
Audible trout,
Notional midges. Beds,
Lamplight and crisp linen wait
In the house there for the sedate
Limbs and averted heads
Of the girls out
Late on the bridge.
The dusty road that slopes
Past is perhaps the high road south,
A symbol of world-wondering youth,
Of adolescent hopes
And privileges;
But stops to find
The girls content to gaze
At the unplumbed, reflective lake,
Their plangent conversational quack
Expressive of calm days
And peace of mind.
Grave daughters
Of time, you lightly toss
Your hair as the long shadows grow
And night begins to fall. Although
Your laughter calls across
The dark waters,
A ghastly sun
Watches in pale dismay.
Oh, you may laugh, being as you are
Fair sisters of the evening star,
But wait-if not today
A day will dawn
When the bad dreams
You scarcely know will scatter
The punctual increment of your lives.
The road resumes, and where it curves,
A mile from where you chatter,
Somebody screams.
The girls are dead,
The house and pond have gone.
Steel bridge and concrete highway gleam
And sing in the arctic dark; the scream
We started at is grown
The serenade
Of an insane
And monstrous age. We live
These days as on a different planet,
One without trout or midges on it,
Under the arc-lights of
A mineral heaven;
And we have come,
Despite ourselves, to no
True notion of our proper work,
But wander in the dazzling dark
Amid the drifting snow
Dreaming of some
Lost evening when
Our grandmothers, if grand
Mothers we had, stood at the edge
Of womanhood on a country bridge
And gazed at a still pond
And knew no pain.
-Derek Mahon
