I need your help. For 60 seconds.
In November, 1979, I was living in Greensboro, North Carolina, when the Greensboro Massacre took place. Members of the KKK opened fire and killed five civilians on the streets of Greensboro. As readers of Life is a Verb know, I was dating a black man in Greensboro at the time–it was a difficult time for us, a very difficult time, a time full of spit (literally) and venom and hatred and violence toward us.Thirty years later, we have elected a multiracial, multicultural president. Newscasters are announcing that we are now in a post-racial America.
"Really?" I ask myself. "Really?"
I don't think so. I believe we've made great progress, yes. And I also believe that the Greensboro Massacre could happen again today. Much hate has been fomented in the past few years; the number of hate groups in the U.S. has grown by 56% since the year 2000. If you live in the U.S., find your state on this map to see how many hate groups there are in the U.S. now.
I've long wanted to do something to commemorate and explore the 30th anniversary of The Greensboro Massacre, especially given my personal connection to it. And this fall, I will. My business and creative partner, David Robinson, and I will launch a community project with art at its center playing the role that art ought to play in a community, helping people have conversations they couldn't otherwise have, providing a community with a center around which to talk.
A friend and colleague, Lora Abernathy, has a unique opportunity to receive seed money to help us with an important portion of that Greensboro Project that will involve providing photography equipment to students so they can document race in their community–as they live it daily. Is race still an issue in the South? Yes. Is it more subtle and therefore more insidious? Yes. We want to explore it from the inside out, giving them the voice and the eye to tell us, not the other way around.
Here's an excerpt from Lora's proposal:
The project I am speaking of is already in the planning and funding stages and will take place in Asheville, North Carolina, during the fall of this year. The timing commemorates the 30th anniversary of the Greensboro massacre. Colleagues of mine who are both artists and great facilitators of change have been in dialogue with the city of Asheville for the last 2 years. They have the buy-in of the police department, the City Manager, churches, schools, leadership and other organizations as well as the University of North Carolina. A production of the play, Greensboro: A Requiem, will be the anchor and centerpiece for several community-wide art projects, events and exhibits. All of these will be accompanied by trainings and seminars on how to have generative “hot conversations.”
I need your help, dear friends. Please support Lora's project simply by going here and voting (there is a brief registration process that will take less than a minute). Then please ask everyone you can in your networks to do the same by Thursday, April 2nd.
Many thanks for your help in bringing art to the center of this important conversation about race. It is a conversation we must continue.