K is for Kooser
Kakorrhaphiophobia- Fear of failure or defeat.
Katagelophobia- Fear of ridicule.
Kathisophobia- Fear of sitting down.
Kenophobia- Fear of voids or empty spaces.
Keraunophobia – Fear of thunder and lightning.
Kinetophobia or Kinesophobia- Fear of movement or motion.
Kleptophobia- Fear of stealing.
Koinoniphobia- Fear of rooms.
Kopophobia- Fear of fatigue.
Koniophobia- Fear of dust. (good luck surviving in my house—get out your koniscope!)
Kosmikophobia- Fear of cosmic phenomenon. (ain’t that the truth!)
Kymophobia- Fear of waves.
Kynophobia- Fear of rabies.
Kyphophobia- Fear of stooping.
"Considering the ways in which so many of us waste our time, what would be wrong with a world in which everybody were writing poems? After all, there’s a significant service to humanity in spending time doing no harm. While you are writing your poem, there’s one less scoundrel in the world. And I’d like a world, wouldn’t you, in which people actually took time to think about what they were saying? It would be, I am certain, a more peaceful, more reasonable place. I don’t think there could ever be too many poets. By writing poetry, even those poems that fail and fail miserably, we honor and affirm life. We say, ‘We loved the earth but could not stay.’”
And so, his words, two poems, in celebration of the letter K and the poet we are all meant to become, and—in fact—are:
After Years
Today, from a distance, I saw you
walking away, and without a sound
the glittering face of a glacier
slid into the sea. An ancient oak
fell in the Cumberlands, holding only
a handful of leaves, and an old woman
scattering corn to her chickens looked up
for an instant. At the other side
of the galaxy, a star thirty-five times
the size of our own sun exploded
and vanished, leaving a small green spot
on the astronomer’s retina
as he stood in the great open dome
of my heart with no one to tell.
Flow Blue China
No real flowers would give of themselves
as these do, the soft tips of their petals
easing out under the painted gold borders,
then bleeding into puffs of blue, and the aunt
who in her old age gave me these cups
and saucers, the plates, bread plates and platters,
the gravy boat, and the big covered bowl
that for seventy years she brought to her table
heaped high with buttercup potatoes,
she too, like one of these soft blue flowers,
has slipped beyond the thin line at the edge.
I lift this cup to her. Flow, blue.
Billy who?
(Just kidding, Billy. Call me).